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Die-hard Nicki Minaj fans saw Queen coming. From the onset of Queen, Nicki establishes her dominance as an MC and insinuates there's a witch-hunt out for her, but anyone who goes against her will fail. 6 By the early 2000s, many Southern artists had attained national success, and as the decade went on, both mainstream and underground varieties of Southern hip-hop became among the most popular and influential of the whole genre.

8 After the Geto Boys rose to stardom, Houston became the guts for Southern hiphop. The height of Southern hip-hop was reached from 2002 through 2004. Rappers from across the country have implemented trap to their music. Simmons lists his primary influences as rappers from the San Francisco Bay Area such as E-40.

Throughout the 1980s and 1990s, the American hip hop music market was primarily dominated by artists from the East Coast and West Coast Los Angeles and New York City were the two main cities where hip hop was getting widespread attention. Miami also played a major role in the rise of Southern Hip-hop during this time frame with successful acts like 2 Live Crew and other artists who relied heavily on the Miami bass sound.

The music was a reaction to the 1980s flow of hip hop culture from New York City and the Los Angeles area and can be considered a third major American hip hop genre, after East Coast hip hop and West Coast hip hop 5 Many early Southern rap artists released their music independently or on mixtapes after encountering difficulty securing record-label contracts in the 1990s.

LaFace Records had given Atlanta a reputation as "the Motown of the South" with acts like TLC and Kriss Kross, and local production crews such as Organized Noize that represented hip hop groups such as OutKast and Goodie Mob played a huge part in helping the South become a center for hip hop music.

Both scenes borrowed heavily from a production style first introduced by way of the obscure late-1980s New York rap group The Showboys, heavily sampling the beats from their song "Drag Rap (Trigger Man)." 13 By the turn of the century these scenes found mainstream success through Cash Money Records and No Limit Records out of New Orleans and Hypnotize Minds out of Memphis, revolutionizing financial structures and strategies for independent Southern rap labels.

In the 1980s and early 1990s, Atlanta's hip hop scene was characterized by a local variant of Miami's electro-driven bass music , with stars like Kilo Ali , MC Shy-D, Raheem the Dream and DJ Smurf (later Mr. Collipark ). 1 MC Shy-D is credited with bringing genuine Bronx-style hip-hop to Atlanta (and Miami), such as 1988's Shake it 19 produced by DJ Toomp ; Jones was signed to controversial southern rap label Luke Records , run by Luther Campbell ybn cordae type instrumental aka "Uncle Luke".

From the onset of Queen, Nicki establishes her dominance as an MC and insinuates there's a witch-hunt out for her, but anyone who goes against her will fail. 6 By the early 2000s, many Southern artists had attained national success, and as the decade went on, both mainstream and underground varieties of Southern hip-hop became among the most popular and influential of the entire genre.

Nicki demanded flip-flopping enthusiasts to pick a aspect” during her vicious rap beef with Remy Ma. Nicki cleverly tied jointly her lyrics subtly shading Remy, Cardi B and other rap fanatics who assumed she was sneak-dissing fellow female artists when she said she wasn't.

Throughout the 1980s and 1990s, the American hip hop music market was mainly dominated by artists from the East Coast and West Coast Los Angeles and New York City were the two main cities where hip hop was getting widespread attention. Miami also played a major role in the rise of Southern Hip-hop during this time frame with successful acts like 2 Live Crew and other artists who relied heavily on the Miami bass sound.

By the 1990s, Atlanta had become a controlling city in southern hip hop music. Since the early 2010s, many contemporary hip hop artists have become mainstream. Nicki ambitiously jumped on Biggie's hip-hop classic "Just Playing (Dreams)," adding an unabashed female flare to an old favorite.

LaFace Information had given Atlanta a popularity seeing that "the Motown of the South" with works like TLC and Kriss Kross, and local production crews such as Organized Noize that represented hip hop groups such as OutKast and Goodie Mob played a huge part in helping the South become a center for hip hop music.

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